PUBLICATIONS

POEMS

• "Putain" and "Tension," RECLAIM: An Anthology of Women's Poetry (October 2019 / forthcoming)
  
• "After, He Tells Me To Get Up," Glass: A Journal of Poetry (April 2019 / forthcoming)​
• "Sable," Cotton Xenomorph (February 2019) 
• "Reclamation, Two Years Later," The Anatomy of Desire: An Anthology of Distance, an anthology by The Poetry Annals (December 2018)
  • Print/e-book (purchase a copy here)
• "Grief, Carrying," Rust + Moth, Winter 2018 (November 2018)
  • ​Print (purchase a copy here)
    • ​Nominated for the 2019 Pushcart Prize by the Rust + Moth editors
• "He Says 'I Miss How You Taste' and I Text Back 'I Know'" and "I Dreamt the Ocean Was My Mother," Crab Fat Magazine (September 2018)
• "I Used to Live in the Stomach of America," "2 A.M. Interlude," and "'wyd?'," God Is In The TV Zine, Poetry Spotlight (July 2018)​
  • Re-print (first appeared in Indolent Book's WHAT ROUGH BEAST Feature, Horn & Ivory Zine, and Loneliness, and Other Ways to Split a Body respectfully) 
• "#000000," OCCULUM, Issue 7 (July 2018)
• "Year of the Pig" and "Long Beach, 1992," Longleaf Review, Issue 3 (June 2018) 
• "Confessions of A Biracial Woman", "Epitaph for Burning Palm Trees, Los Angeles 2016," and "Expectant," Hypertrophic Literary, Spring 2018 (March 2018) 
  • ​Print (purchase a copy here) 
    • "Epitaph for Burning Palm Trees, Los Angeles 2016" was nominated for the 2019 Pushcart Prize by the Hypertrophic Literary editors 
• "I Used to Live in the Stomach of America," Indolent Books' WHAT ROUGH BEAST Feature (March 2018)
• "Tiger Blood," Shared Horizons: A Rambutan Literary Anthology (February 2018) ​ 
  • Print/e-book (purchase a copy here)        
• "My Uber Driver Learns Her Nephew Has Been Shot While Driving Me to a Boba Tea House All of My Friends Have Told Me to Visit," Indolent Books' WHAT ROUGH BEAST Feature (February 2018) 
• "Epitaph for Burning Palm Trees, Los Angeles 2016" and "The Running–," Black Napkin Press (January 2018)
• "Bonfire," The Indulgent Zine , #1 Summer's End (November 2017)
• "Dockweiler," Horn & Ivory Zine, September: A Deepening (September 2017) 
• "Family Portrait as Intergenerational Trauma," The Ellis Review (August 2017)
• "Hot Mess," Vagabond City Literary Journal, Issue 22 (August 2017)
  • Nominated for the 2018 Pushcart Prize by the Vagabond City Literary Journal editors 
• "2 A.M. Interlude," Horn & Ivory Zine, Zodiac: A Changing (July 2017) 
• Five micros, two macros, Nu Lit House, MICRO//MACRO #07 - LANGUAGE (June 2017)
• "On Being Held Without Fear of Abandonment," PUBLIC POOL (June 2017)
• "Skin Reel," Ricepaper Magazine (April 2017)
• "Birth City," Bombus Press, Issue Two: Noise (March 2017) 
  • Nominated for the 2018 Pushcart Prize by the Bombus Press editors
• "Skin; Blossoming," Calamus Journal, Issue Four (February 2017)​

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PROSE

• "What the River Took and What the Knife Gave Back," Corvid Queen (October 2018)
• ​"The Marsh," OCCULUM, Issue 1 (November 2017)​​

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ESSAYS

• "An 'Outsider's' Perspective: On the Model Minority Myth and Being Khmer in America," The Brown Orient (March 2018)