POETRY
ANTHOLOGIES
"Putain" and "Tension" | RECLAIM: An Anthology of Women's Poetry (ed. Elizabeth Ruth Deyro, 2019). Print
"Reclamation, Two Years Later" | The Anatomy of Desire: An Anthology of Distance (ed. Shekinah Vera-Cruz, The Poetry Annals, 2018). Print
"Tiger Blood" | Shared Horizons: A Rambutan Literary Anthology (ed. Do Nguyen Mai, Rambutan Literary, 2018). Print
SELECTED POEMS
"Duplex (An Open Door Will Not Break My Heart)" | perhappened mag, 2021 - Nominated for Best of the Net 2021
"Dissection" | Parentheses Journal, 2020
"Our City's Children" | The Tiger Moth Review, 2020
"Heaven to You" | mineral lit mag, 2020
"Body as Car-Struck Deer" | Cosmonauts Avenue, 2020
"I Still Haven't Listened to Blonde All the Way Through" | What Are Birds Journal, 2019
"On Political(ized) Life" | Glass Poetry's POETS RESIST Feature, 2019
"In Hushed Voices, the Women in My Family Speak About a Woman Who Left Her Husband for Another Woman" | Ghost City Review, 2019
"After, He Tells Me To Get Up" | Glass: A Journal of Poetry, 2019
"Sable" | Cotton Xenomorph, 2019 - Nominated for Best of the Net 2019
"Grief, Carrying" | Rust + Moth, 2018. Print - Nominated for the 2019 Pushcart Prize
"He Says 'I Miss How You Taste' and I Text Back 'I Know'" and "I Dreamt the Ocean Was My Mother" | Crab Fat Magazine, 2018
"#000000" | OCCULUM, 2018
"Year of the Pig" and "Long Beach, 1992" | Longleaf Review, 2018
"Confessions of A Biracial Woman", "Epitaph for Burning Palm Trees, Los Angeles 2016," and "Expectant" | Hypertrophic Literary, 2018. Print - "Epitaph for Burning Palm Trees, Los Angeles 2016" nominated for the 2019 Pushcart Prize
"I Used to Live in the Stomach of America" | Indolent Books' WHAT ROUGH BEAST Feature, 2018
"Family Portrait as Intergenerational Trauma" | The Ellis Review, 2017
"Hot Mess" | Vagabond City Literary Journal, 2017 - Nominated for the 2018 Pushcart Prize
"Skin Reel" | Ricepaper Magazine, 2017
"Birth City" | Bombus Press, 2017 - Nominated for the 2018 Pushcart Prize
"Duplex (An Open Door Will Not Break My Heart)" | perhappened mag, 2021 - Nominated for Best of the Net 2021
"Dissection" | Parentheses Journal, 2020
"Our City's Children" | The Tiger Moth Review, 2020
"Heaven to You" | mineral lit mag, 2020
"Body as Car-Struck Deer" | Cosmonauts Avenue, 2020
"I Still Haven't Listened to Blonde All the Way Through" | What Are Birds Journal, 2019
"On Political(ized) Life" | Glass Poetry's POETS RESIST Feature, 2019
"In Hushed Voices, the Women in My Family Speak About a Woman Who Left Her Husband for Another Woman" | Ghost City Review, 2019
"After, He Tells Me To Get Up" | Glass: A Journal of Poetry, 2019
"Sable" | Cotton Xenomorph, 2019 - Nominated for Best of the Net 2019
"Grief, Carrying" | Rust + Moth, 2018. Print - Nominated for the 2019 Pushcart Prize
"He Says 'I Miss How You Taste' and I Text Back 'I Know'" and "I Dreamt the Ocean Was My Mother" | Crab Fat Magazine, 2018
"#000000" | OCCULUM, 2018
"Year of the Pig" and "Long Beach, 1992" | Longleaf Review, 2018
"Confessions of A Biracial Woman", "Epitaph for Burning Palm Trees, Los Angeles 2016," and "Expectant" | Hypertrophic Literary, 2018. Print - "Epitaph for Burning Palm Trees, Los Angeles 2016" nominated for the 2019 Pushcart Prize
"I Used to Live in the Stomach of America" | Indolent Books' WHAT ROUGH BEAST Feature, 2018
"Family Portrait as Intergenerational Trauma" | The Ellis Review, 2017
"Hot Mess" | Vagabond City Literary Journal, 2017 - Nominated for the 2018 Pushcart Prize
"Skin Reel" | Ricepaper Magazine, 2017
"Birth City" | Bombus Press, 2017 - Nominated for the 2018 Pushcart Prize
